A Guest Blog from Paul McDermott
I’ve always found the Novel an easier framework than shorter pieces. I tip my (metaphorical) hat to those who can write ‘Flash’ fiction effectively, and even the thought of writing a pithy, graphic Haiku brings me out in a cold sweat of panic. Maybe I’m just an unrepentant windbag …
The 80,000++ word count format of a Novel is more my style. When I write for children, I tend to aim for a maximum word count of about 50,000, as a younger reader is likely to have a shorter attention span: for the Adult market this would likely be classed as “Novella” length.
Every November I enjoy the challenge of National Novel Writing Month, and to date I’ve achieved the target each time. Two of my published novels started life as NaNoWriMo entries, which I expanded to word counts of c. 90,000++ at a later date.
My first Adult Novel was based on research into my own family history. Nobody was more surprised than myself when the publisher, Whimsical Publications [Florida, USA] listed it in their Romance section, as I hadn’t considered it as a Romance while writing it.
However, there was so much interesting historical background in the Clan records. Written records date back to the early 1300s and a further 500 years of ‘Oral Tradition’ predate them. I realised very early on there was too much material to condense into a single volume. The Trilogy was inevitable before I was halfway through writing the first book, decided by the wealth of Celtic myths and legend I found in the written records. The Clan McDermott were one of the seven Royal Families of Ireland. The Ancient Kingdom of Tara covered most of modern day Roscommon and Meath. Oral History claims the honour title of Ard Rhi, High King of the Seven Realms of Ireland, and kinship with Brian Boru.
When you have such extensive historical material to work with, the only real problem is deciding what to include and what to omit (or possibly ‘save’ for later introduction). Reaching the target 80,000 word count isn’t really a problem! For the record: Volume One The Chapel of Her Dreams has sold reasonably well since publication, and I intend to release Volume Two The Island of Her Dreams later this year. And yes, the Chapel and the Lake are real locations, on Lough Key in co. Roscommon!
The often-heard advice, write about the People and Places you know holds good. In one way, this is especially true when writing for children.
My first attempt at writing for younger readers was a humorous yarn about a crew of fairly incompetent Pirates, sailing out of Liverpool in a deliberately ‘vague’ time setting. There’s plenty of room for fantasy, a touch of magic, talking animals and ‘time slip’ scenes which taps into the reader’s imagination. One (published) book of about 47,000 words led to a planned series. Book 2 is complete, currently being prepared for release and I’m working on Book 3. These all use the same central Characters.
Locations are another guide for a series. I’m working on a second series of childrens’ books, each one a ‘stand alone’ book set in one of Liverpool’s parks, using the geography and history of each park which (hopefully!) the reader will recognise as somewhere they have visited and played in.
One of my Adult books is a 13th Century Historical thriller, which leads naturally to a Sequel, another of my Works in Progress. At the moment I’m not sure if this will expand into a Trilogy, I’ll have to let the Plot decide that while I’m writing.
I’ve written another historical fantasy, 11th Century this time, about a troubadour with a magic lute. This will also be published later this year, and a Sequel is under way – but I’m fairly sure there won’t be a third book in this series. Time will tell …
Novel writing is great fun! There are hundreds of opportunities to dig deep into your imagination and combine historical Fact with your own creative skills. Basic research is very rewarding. I’m constantly amazed at what I discover about how we used to live. I really couldn’t imagine writing ‘to order’ with an imposed ‘word limit’ of e.g. 2000 words of ‘Short Story’ for a magazine or Anthology. I’ve had work accepted for these markets as well, but I wouldn’t be comfortable working with these limitations every day.
I’ve tried a number of genres, including poetry and writing scripts. I’ve enjoyed these forms of writing too, although my poems frequently become the lyrics to songs (I dabble in writing music as well). Some of the scripts I’ve cobbled together have also been performed on stage, mostly in the form of pantomimes with a Liverpool “twist” to them.
I always seem to return to the Novel as my preferred format. I don’t suppose I’ll ever ‘invent’ a James Bond or Jack Reacher character who will be the inspiration for an unending series of best-sellers, but two books or a Trilogy is a comfortable target to aim for.