One of the things I’m involved in as an editor at an indie press is adjudicating fiction in our competitions. This year we’ve amalgamated the fiction prizes into one so that people can submit across prose genres — short stories, novels and novellas.
Every year there are pieces of fiction that jump out as strong contenders but trip themselves up along the way. What is it that Cinnamon Press is looking for in a story? a young friend recently asked me. What makes a good story?
Don’t tell me…
It’s often easier to start from what doesn’t work.
The stories that tell me what is happening (sometimes several times to make sure I get it) but which don’t ‘show’ me anything so I am never drawn in rarely work. Telling has its place in bridging passages, in some forms of first person narrative, but for the most part I’m with Chekhov on this:
Don’t tell me the moon is shining, show me the glint of light on broken glass.
Other stories fail because they drown in adjectives or (even worse) adverbs. Descriptive passages can sing off the page, sometimes with a rich seasoning of adjectives thrown in, but only if every word has earned its place. And some words never earn a place — really, just, suddenly, somehow… As says Ursula Le Guin in her invaluable guide to prose writing, Sailing the Craft:
Nothing happens somehow
Please read on on Medium – this is a post particularly for writers and if you have a novel or short stories that would be eligible for our fiction prize, take a look at that too – thank you for reading.